Production

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Development

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Yukiyo Teramoto, who directed Doraemon: Nobita's New Great Adventure into the Underworld (2007), Doraemon: Nobita and the New Steel Troops—Winged Angels (2011) and Doraemon: Nobita's Secret Gadget Museum (2013), returned to direct the film.

Screenwriting

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Yukiyo Teramoto, who was offered the opportunity to make a film based on a painting, worked with Satoshi Itō and others to shape the story. In the process, the idea of "wouldn't it be interesting if we could do various things in the world of a painting, like Doraemon's secret gadget, the picture book sneakers ," became the starting point, and the atmosphere of medieval Europe, which had not been set in the Doraemon films much up until now, was mixed in. However, there were few works based on medieval Europe, and the materials were limited, so the production of Doraemon movies carried out location scouting overseas, which is unusual for the production of Doraemon movies and interviewed various parts of Italy. It became the model for the setting of this work, the Principality of Arturia.^[1]^[2]

Yukiyo Teramoto also interviewed professors at Tokyo University of the Arts and incorporated as much art knowledge as possible into the work. He said, "Because the work is based on paintings, I made the paints and there are many descriptions related to the paintings, so I was very particular about those things and created them in great detail".^[3]

^ "映画ドラえもんのび太の絵世界物語：異例の欧州ロケで表現した"絵の中の世界"　「ドラえもん」のリアルじゃない面白さ　寺本幸代監督インタビュー". mantan-web.jp. Archived from the original on April 9, 2025. Retrieved April 26, 2025.
^ "水田わさびさん＆あいみょんさんも感激！『映画ドラえもんのび太の絵世界物語』イタリアで初のワールドプレミアを開催！". dora-world.com. Archived from the original on April 5, 2025. Retrieved April 26, 2025.
^ "「映画ドラえもんのび太の絵世界物語」完成報告会！". www.toho.co.jp. Archived from the original on April 25, 2025. Retrieved April 26, 2025.

Development

[edit]

Yukiyo Teramoto, who directed Doraemon: Nobita's New Great Adventure into the Underworld (2007), Doraemon: Nobita and the New Steel Troops—Winged Angels (2011) and Doraemon: Nobita's Secret Gadget Museum (2013), returned to direct the film.

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